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Here is a collection of notes to various really, really obscure references and puns and other stuff in the essays that, if either of us had a life, I wouldn't be writing and you wouldn't be reading. -Enjoy! RHB |
| By one of those strange 'coincidences' that happen so often that I'm wondering if I should make myself a beanie out of aluminium foil, this Adam@home cartoon appeared shortly after this essay
 | | | 1 Of course just as soon as I'd done all my calculations and written and recorded this essay I noticed in one of my sources that I'd completely missed:
"And, she adds, David Phillips, the senior climatologist with Environment Canada, has estimated that the number of snowflakes that have fallen on Earth over the course of time is 10 followed by 34 zeros." Such is ...wossname... life!
| | | Please be kind to this essay, I was sick (probably from eating too much fruit cake) during its production and it seems to have effected my higher cognitive functions, so it’s not its fault. | | | 1 Dan's pronunciation disyllabic, (which was something like ‘ersë’) Means that line should end (ungramatically) ‘worser’ 2 My ...um... 'complex' relationship with old Henry is explored in the notes to this essay, and here and, indeed, here . As I say complex... | | | 1 Of course I should reassure you that I (aet. 7-10) was not part of the Woodentops target demographic. I’m not sure if I actually ever even saw one episode, however narrative necessity always overrides reality in these essays. | | | 1 "rhyme of the poet..." bloody Longfellow yet again, The Day is Done (vide: this note to Lives of Great Men All Remind Us ) | | | 1 Sometimes used to introduce speeches or even whole poems, hwat is often translated 'Lo!' or 'Listen!'or even 'Oi!" 2 A couple of translations:
Not that the monster was minded to pause! Straightway he seized a sleeping warrior for the first, and tore him fiercely asunder, the bone-frame bit, drank blood in streams, swallowed him piecemeal: swiftly thus the lifeless corse was clear devoured, e'en feet and hands.
or
That the monster did not think to delay, but he quickly grasped, at the first occasion, a sleeping warrior, rended without restraint, bit into the bone-locks, from the veins drank blood, swallowed great chunks; soon he had the unliving one all devoured, feet and hands
| | | The title is a reference to that old John Wayne movie “The Shootist ” (Paramount, 1976)---though since it was soya1 beans rather than peas, I probably shouldn’t have bothered, especially since ‘peas’, being properly a noun of mass (in the past often spelled pease, peese or even peaze), makes ‘pea’ a barbarous back formation which would force me (as a devout etymologist) to analyse the word as *peas hootist---and a world of trouble with owl, not to mention Mammo-Centric Publicans of America*, lobbyists awaits there. 1 (Oh! And before we go on, that really is ‘Soya’ with an ‘A’, and it says something or other about the state of our two countries, that we in England seem to have taken the high road with the formal form, ultimately from sho:-yu or siyau-yu whereas you casual buggers took the low road with the more colloquial shoy or soy.) And I took the even lower road, but that’s a story for a different time---probably for a different audience too. __________________________________________ * At least I didn't title it 'Peas Hooters"! | | | You can get your mind out of the gutter---the title is a reference to the sort of safelight used in the darkroom when working with lith film or paper, both of which are orthochromatic . | | | 1 But it can’t possibly be that one because it would then have to involve sheilas and tucker-bags and koalas and platypouses (or just possibly platypodes ). | |
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